'Hannah Ringham... the love-child of Tommy Cooper, Sarah Silverman, Karl Marx and an imbecile.' -- Tim Crouch


'Intelligently anarchic and curiously touching.' -- Simon Stephens 


'A brilliant parody of the Free Fringe and all the awkwardness that comes from deciding how much to pay.' -- Sally Stott, The Scotsman - 4**** (Fringe Top 10)


'Ringham plays the audience for all she is worth, offering sob stories, fairytales and the promise of a return on an investment... she made about £70 an hour the night I was there - and yes, she was worth it.' -- Lyn Gardner, The Guardian - 4****


‘Ringham’s performance is mesmerising, actually showing us little of the ‘show’ she is trying to elicit money for but showing us the dark side of a performer on the edge.’ -- The Public Reviews 4****


‘I’m still not sure if this is satirising venality, or deconstructing the financial transaction that is our everyday life, or merely an artist looking for a new way to make money. I dare say the ambiguity is all part of the fun.’ -- What’s On Stage - 4****


‘I keep changing my mind about whether Hannah Ringham’s Free Show (bring money) is offensively bad or ingeniously profound.’ -- Xandra Burns, oxfordtheatrereview.com



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