2016-present
I founded Darkfield with David Rosenberg and Andrea Salazar in 2016 to make shows inside completely dark shipping containers. Our shows have been presented in the UK, USA, Canada, Mexico, Australia, New Zealand, South Korea, Taiwan, Saudi Arabia and Turkey
Séance (2017), Flight (2018), Coma (2019), Invisible (2020), Eulogy (2021), Arcade (2024)
2020-2022
During the Covid pandemic we presented digital work on the Darkfield Radio app
Double (2020), Visitors (2020), Eternal (2020), Knot, a trilogy (2021) and two documentary works, Paradise (2022) and Intravene (2022)
These experiences featured in film festivals including Venice Film Festival, BFI London Film Festival, TriBeca, IDFA, Raindance and SXSW, and in 2012 won Columbia's Digital Storytelling Lab's Breakthrough Award in recognition of the year's most innovative narrative
Since 2022 they have also been presented in physical locations
For BBC Sounds: Deadhouse (2021)
2009-2019
Before founding Darkfield David Rosenberg and I created two shows in complete darkness - Ring (2013) and Fiction (2015) - that toured the UK and abroad and had sell-out runs at the BAC in London
I worked with Extant, New Earth and Upswing on Flight Paths, which toured the UK in 2019
Unpack, a collaboration with writer Neil Bennun and video artist Susa Dietz, was presented at Camden People's Theatre Sprint Festival in 2015
Plays for BBC Radio 4: Listen Up (2009), Six Impossible Things (2010), Occupied (2010), The Long Count (2012) and a two-part adaptation of The Arabian Nights (2015), with producer/director Boz Temple Morris
I collaborated with Hannah Ringham on three shows, Free Show (bring money) (2011), Wedding (2014) and Die or Run (2018), that toured the UK
2006-2010
Body considering its pains, an installation with recorded text (2010) was presented at the shunt vaults, at the ICA in London and in Dublin
The Breach, a sound installation, featured at Manifesta Biennial of Contemporary Art in 2008
Hide (2007), a collaboration with designer Lizzie Clachan, was part of the Overture event that re-opened the refurbished Royal Festival Hall in London
Gantenbein (2006), an adaptation of Max Frisch's novel, was commissioned by Hebbel am ufer and staged in Berlin and Zurich
2003-2011
The Outgoing Man launched Portobello Books in 2005 and was shortlisted for the Authors' Club Best First Novel Award. The Fat Plan was published in 2008
Short films: The Breast (2004) with director Amber Sealey, and The Itch (2007) with video artist Susa Dietz
The highs and lows of owning your own home (2004) and The Superheroes (2007) were presented at the shunt vaults. Mark Espiner directed a new production of The highs and lows.. in Berlin in 2019
Romcom (2003) and Hello for Dummies (2011), created with Ant Hampton, toured to Germany, Switzerland, Belgium, Argentina, Canada, New Zealand, Poland, The Netherlands, Spain, Portugal, Hong Kong and USA
1994-2000
I directed Closer to Ormsby, at the shunt arch in 2000
untitled (comedy) and Cuckoo had rehearsed readings at the Royal Court Theatre in London, directed by Phyllis Nagy (1996) and Gordon Anderson (1999)
I adapted Oskar Kokoshka's Murderer, Hope of Women (1994), and Klaus Mann's Mephisto (1995) with director Katrin Magrowitz. They were staged at Greenwich Studio Theatre/BAC and at the Riverside Studios respectively
End of the Round was produced as part of The London New Play Festival at the Old Red Lion Theatre in London in 1994
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